OIL PAINTINGS
Sidney Eastlake (British, Late 19th - Early 20th Century), oil on canvas, 24" x 36" canvas. Very little biographic information is available. Beautiful period frame. -SOLD-
William Shriver (1981) Winter Trail - Taos Canyon, oil on canvas, 12" x 16" canvas. Signed lower left, title and signature on verso. This painting was completed while studying with Bob Lougheed in the mountains surrounding Santa Fe $425. (https://www.williamshriver.com/ ).
J. M (?) Marshall, 1902, Oil on Canvas, 12" x 16" canvas (~16" x 20" with frame) , original gilt frame. A nice landscape and pond scene with boats and a woman pushing off from shore. This is thought to be from Wisconsin. $225
Signature of Pond Landscape
Kisker, 1964, Oil on Canvas board, 9 " x 12" (11" x 14" frame), Custom blue frame with museum glass. A very nicely executed seascape. Possibly Cincinnati artist Patricia Kisker (1915-2010). Signed lower right. $115
Signature and date of seascape.
Watercolor and Gouache Paintings
Helen Garretson, c. 1985, watercolor on paper. 11" x 15.5" (20.5" x 24.5" framed). This is remarkably detailed painting that portrays the three-dimensional aspects of a piece of driftwood. Helen Garretson (1915-20xx) was a member of the American Watercolor Society. $95
Prints, Lithographs, Engravings & Etchings
Tomas Lasansky, Judge, 1981, Artist's Proof, Color Intaglio Print.
Image Size: 24" H x 21.5" W
Frame: 32 1/4" H x 29 1/4" W
See page from Tomas Lasansky Icons and Muses (2011). Judge is his thrid (chronologically) Color Intaglio - 1981.
To learn more about the artist: https://www.lasanskystudio.com/
https://en.wikipedia.org/wiki/Tomas_Lasansky
Call 319-331-3950 for more information and pricin
E. Hubert Deines, 1946, "Flower of Westport". Wood Engraving (Artist's Proof), original maple (?) frame and matting.
Image: 7 3/8" x 10"
Frame: 18 3/4" x 22 3/4"
This print was a personal gift to R. Hunter Middleton (see inscription: "To R. Hunter Middleton, fellow craftsman of distinctive accomplishments".
Robert Hunter Middleton (1898 – 1985) was an American book designer, painter, and type de
Bird Prints & Engravings
John James Audubon, Passenger Pigeon, from The Birds of America, Octavo Ed., c. 1840. Opposing pages with hand colored plate (J.T Bowen, Philadelphia). Matted and framed in the 1920s (?).
Call 319-331-3950 for more information and pricing.
John James Audubon, Chuck-will's Widow (with Harlequin Snake) from The Birds of America, Octavo Ed., c. 1840. Opposing pages with hand colored plate (J.T Bowen, Philadelphia). Matted and framed in the 1920s (?).
Call 319-331-3950 for more information and pricing.
John James Audubon, Black Crowned Night Heron or Qua Bird from The Birds of America, Octavo Ed., c. 1840. Opposing pages with hand colored plate (J.T Bowen, Philadelphia). Matted and framed in the 1920s (?).
Call 319-331-3950 for more information and pricing.
John James Audubon, White Ibis, from The Birds of America, Octavo Ed., c. 1840. Opposing pages with hand colored plate (J.T Bowen, Philadelphia). Matted and framed in the 1920s (?).
Call 319-331-3950 for more information and pricing.
Cornelius Nozeman (1712-1786), c. 1770, Chloris (European Green Finch) from Birds of the Netherlands. At the time, this was the most expensive book ever published.
From Nederlandsche Vogelen; volgens hunne huisdouding, aert, en eigenschappen beschreeven
Amsterdam: 1770-1829, Martinus Houttuyn (1720-1798), and Jan Christiaan Sepp (1739-1811).
This is the first study in the Netherlands of ornitholog
